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Tsippi Fleischer

Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 8, 1.      Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the vocal ensemble (a)

Tsippi Fleischer

Tsippi Fleischer: Innovated Classics (קלאסיקות מתחדשות)

56 SECONDS • JUN 15 2013

Album Tracklist

1
Girl Butterfly Girl - song cycle for soprano & chamber ensemble, sung in Hebrew, Op. 4: No. 1, Piece of Earth
02:28
2
Girl Butterfly Girl - song cycle for soprano & chamber ensemble, sung in Hebrew, Op. 4: No. 2, Eyelids
01:26
3
Girl Butterfly Girl - song cycle for soprano & chamber ensemble, sung in Hebrew, Op. 4: No. 3, The Coffin with Its Lid Remote
02:17
4
Girl Butterfly Girl - song cycle for soprano & chamber ensemble, sung in Hebrew, Op. 4: No. 4, Girl-Butterfly-Girl
02:35
5
Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 1, Introduction; Your Swiftly-Saddled Horse
07:44
6
Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 2, Refrain (b); You Appease the Thirsty Spear
08:35
7
Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 3, Ballet
08:19
8
Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 4, Refrain (c); He Found Rest
05:27
9
Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 5, Every Morning at Sunrise
02:58
10
Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 6, Refrain (d); I Shall Weep for you
05:56
11
Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 1, First methodological unit: Solo
00:37
12
Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 2, Second methodological unit: Special unison
00:21
13
Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 3, Third methodological unit: Doublings I: The opening motif: kanun with two oboes
00:47
14
Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 4, Third methodological unit: Doublings I: Return of the opening motif, with richer ensemble, including choir
01:34
15
Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 5, Third methodological unit: Doublings I: Opening motif – kanun ‘ripped’ from ensemble performance
00:14
16
Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 6, Fourth methodological unit: Doublings II: The ‘shajaru’ motif – kanun and cello doubling male and female voices in octaves
01:13
17
Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 7, Fourth methodological unit: Doublings II: The ‘shajaru’ motif – kanun and cello doubling female voices in thirds
00:36
18
Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 8, 1.      Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the vocal ensemble (a)
00:56
19
Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 9, Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the vocal ensemble (b)
01:10
20
Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 10, Sixth methodological unit: The kanun is prominent in the texture, virtuosic
00:41
21
Girl Butterfly Girl - song cycle for soprano & symphony orchestra, sung in Arabic, Op. 4: No. 1, Piece of Earth
02:39
22
Girl Butterfly Girl - song cycle for soprano & symphony orchestra, sung in Arabic, Op. 4: No. 2, Eyelids
01:35
23
Girl Butterfly Girl - song cycle for soprano & symphony orchestra, sung in Arabic, Op. 4: No. 3, The Coffin with Its Lid Remote
02:24
24
Girl Butterfly Girl - song cycle for soprano & symphony orchestra, sung in Arabic, Op. 4: No. 4, Girl-Butterfly-Girl
02:31
25
Song No. 3 from 'Girl Butterfly Girl' for voice & piano, sung in German: 'Der Sarg mit entferntem Deckel' ('The Coffin with Its Lid Remote')
02:25
Tsippi Fleischer: Innovated Classics (קלאסיקות מתחדשות)
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Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 8, 1.      Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the vocal ensemble (a)
℗ Tsippi Fleischer under exclusive license to Kame'a - Independent Music Group © Tsippi Fleischer